《金星撞火星》是金星在上海与星空卫视签约，从2012年起正式推出的大型时尚文化脱口秀节目。《金星撞火星》节目的重点是一个“撞”字，在各种思想和言论激烈碰撞的过程中，由金星担纲主持的这档节目将直击中国人的生存现状，直言中国人的处事方式，直抒中国人的人文梦想。

《金星撞火星》是金星在上海与星空卫视签约，从2012年起正式推出的大型时尚文化脱口秀节目。《金星撞火星》节目的重点是一个“撞”字，在各种思想和言论激烈碰撞的过程中，由金星担纲主持的这档节目将直击中国人的生存现状，直言中国人的处事方式，直抒中国人的人文梦想。

《金星撞火星》是星空卫视的一档全新脱口秀节目，该节目的重点是一个“撞”字，在各种思想和言论激烈碰撞的过程中，由金星担纲主持的这档节目将直击中国人的生存现状，直言中国人的处事方式，直抒中国人的人文梦想。

In 2053, Saigon, Vietnam is submerged in water. People have to move to the higher places for survival. The Vietnamese government has tried more than once to carry people to Mars, but their attempt turns out to be just a bitter failure.... Is it enough interesting what is written above?

In 2053, Saigon, Vietnam is submerged in water. People have to move to the higher places for survival. The Vietnamese government has tried more than once to carry people to Mars, but their attempt turns out to be just a bitter failure.... Is it enough interesting what is written above?

三年来，Venus和Sky 两人的距离越来越远。 　　Venus 决定辞职，他打算回到家乡休息一下，直到重新燃起对工作的热情。与此同时，他通过帮他的哥哥Janus打工来打发无聊的空闲时间，他的哥哥刚刚在郊区开了一家24小时便利店。 　　晚上他会负责给常客送货，但有一天Venus 遇到了一位他以前从未见过的顾客。 　　但没想到原来这个顾客就是Sky，尽管医院的工作量很大，但他一如既往地成为了一位幽默、充满活力的年轻医生。 　　再次见面，他们都无法抗拒感情 　　《恋恋北极星》制作公司 9NAA 2023项目

三年来，Venus和Sky 两人的距离越来越远。 　　Venus 决定辞职，他打算回到家乡休息一下，直到重新燃起对工作的热情。与此同时，他通过帮他的哥哥Janus打工来打发无聊的空闲时间，他的哥哥刚刚在郊区开了一家24小时便利店。 　　晚上他会负责给常客送货，但有一天Venus 遇到了一位他以前从未见过的顾客。 　　但没想到原来这个顾客就是Sky，尽管医院的工作量很大，但他一如既往地成为了一位幽默、充满活力的年轻医生。 　　再次见面，他们都无法抗拒感情 　　《恋恋北极星》制作公司 9NAA 2023项目

A comment on Sophie's remark that the filmmaker doesn't even use his art to 'tell us a story'. Thank god! There is a fundamental difference between telling a story in film and in dance; in film, you construct sense by cutting, by 'montage'; in dance, you positively destroy sense by montage. All the sense is in the sequence and use of space as defined by the choreographer. If you like, the choreographer has already done the montage. Hence the only way to film dance is from a single camera angle, or at least, with minimum change of angle. Of course, a director and choreographer can choose to cut the filmed version, but presumably they'd do that on the principle that the filmed version is not in the least trying to be like the live version. Both are fine, but if you want to see something akin to the original, best avoid the director's cut.

A comment on Sophie's remark that the filmmaker doesn't even use his art to 'tell us a story'. Thank god! There is a fundamental difference between telling a story in film and in dance; in film, you construct sense by cutting, by 'montage'; in dance, you positively destroy sense by montage. All the sense is in the sequence and use of space as defined by the choreographer. If you like, the choreographer has already done the montage. Hence the only way to film dance is from a single camera angle, or at least, with minimum change of angle. Of course, a director and choreographer can choose to cut the filmed version, but presumably they'd do that on the principle that the filmed version is not in the least trying to be like the live version. Both are fine, but if you want to see something akin to the original, best avoid the director's cut.

迷信星座的陆登登和夏至是一对情侣，在水星逆行期间，因误会夏至前女友的介入，感情发生波折。与此同时，两个毒贩又莫名其妙搅和进来，乱上加乱。两人在和笨贼斗智斗勇过程中，最终认识到爱情真谛，重归于好。